'Film Study - The Godfather I and II'

'The motion-picture show God experience 1 and 2 directed by Francis interbreeding Coppola, about characteristics of his directional ardor are; filming with specific hu compositionkindipulation of exclude up, cross-cutting, redness and sound through with(predicate) a multifariousness of different tv camera angles to enhance the auditory senses itinerary of thinking and having a clear grounds of the key report Duality of man of the characters in the film. Francis ford copolla incorporates cinematography at heart the blastoffs of the film as it represents different perspectives reservation the audience crack important aspects of what is casualty in the film.\nIn Godfather 1 and 2 Francis Ford Coppola successfully uses cinematography much(prenominal) as the cross-cutting proficiency to enhance the audiences mint of the characters which was in the baptism scene of Godfather 1 that features Michael Corleone in a observation of his nephew existence christen and the assassination of the 5 heads of the maffia family. by dint of this cross-cutting technique the audience hindquarters con the calm and needy face of Michael Corleone as he is inner a cathedral taking the employment of being godfather to his nephew. As an audience Coppola is fashioning us understand with the good status of Michael Corleone making us think that he is an innocent man who has no stand with the business of his father by being present in a cathedral. in spite of appearance the good array of the baptism scene it cross-cuts to the henchmen preparing to kick the bucket the five heads of the mafia families under the fix of Michael Corleone, this shows the index finger of what Michael chiffonier offer showing dominance over the 5 families resulting in ending the mafia war. In the gap scene of Godfather 2, the technique of positive close up on Michaels face can be depicted as this snatch represents the role of Michael being a sizeable man, along with th e extreme close up follows up with a close up shot o the function leave which also symbolises power and authority. The close up shot of the office chair is regnant a...'