he four widely separate, yet paralleled stories ar intend in different ages - and in the original print, each tale was tinted with a different color. Three of the four are base on factual history: * THE MODERN story (A.D. 1914): (Amber Tint) In early on 20th century America during a time of wear unrest, strikes, and social change in California and ruthless employers and reformers - a young Irish Catholic boy, an exploited worker, is wrongly confined for murder and sentenced to be hung on a gallows. The boy is save from execution in a last-minute rescue by his wifes arrival with the governors pardon. * THE JUDAEAN STORY (A.D. 27): (Blue Tint) The Nazarenes (Christs) Judaea at the time of his struggles with the Pharisees, his betrayal and crucifixion (told as a heat Play in his last days) - it is the shortest of the four stories. * THE FRENCH STORY (A.D. 1572): (Sepia Tint) Renaissance, 16th century medieval France at the time of the persecution and butcher of the Huguenots during the regime of Catholic Catherine de Medici and her son King Charles IX of France, and the notorious atrocities of St. Bartholomews Day Massacre (including its effects upon the planned wedding of a young innocent Huguenot couple - Brown Eyes and thrive Latour).
 * THE BABYLONIAN STORY (539 B.C.): (Gray-Green Tint) peace-loving Prince Belshazzars Babylon at the time of its beleaguering and Fall by King Cyrus the Persian, due to the treacherous mettlesome Priests - and the Mountain Girls vain efforts to avert the tragedy. The outdoor execute for the Babylonian sequences was the largest ever created for a Hollywood film up to its time, and its crowd shots with 16,000 extras were also some of the greatest in cinematic history. In his radically non-linear, hybrid film, Griffith simultaneously cross-cuts back and forth and interweaves the segments over great gaps of space and time - there are over 50 transitions between the segments. The villains of the four stories are mill... If you neediness to get a full essay, order it on our website:
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