The reverence for nature therefore , cannot be disentangled from the very forces that were encroaching upon nature and destroying itFinally , despite the role of landscape painting in the ownership and control of nature , we have identified a mighty cross-current of ecological question built into the very enterprise of landscape painting This cross-current of inquiry interacted in certain ways with scientific research , but it also broadened the scope of scientific inquiry and humanized it . The painter s inquiry involvedClose , sustained observation of particular sites , from geology to botanyAn sufficient emphasis on the subjective experience of natural places , as dynamic , changing environmentsA faith in the interrelatedness of quick things and natural systems , in other words , in the late notion of ecologySourceKirk Savage , University of Pittsburgh : The Case of 19th Century LandscapePainting...If you motivation to get a full essay, order it on our website: Ordercustompaper.com
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