On the other hand, probably because of the meter simpleness on the stage of City Colleges Diego Rivera Theatre, the director John Wilk, who tardily presented an original adaptation of Aeschylus Greek trilogy in the form of a rock musical, has decided to dedicate more time on the first and second play, despite the fact that many readers would finger the third if not more, at least as great as the previous two plays. Aechyluss trilogy, and especially the first play, calls our assistance repeatedly to a central concept of referee: justice as revenge. This is a relatively simple notion, and it has a in good order emotional appeal, even today. According to the revenge ethics from that time the killer must be killed and that killing must be carried out personally by the most appropriate person, who accepts that carriage as an obvious responsibility. In the book revenge emerges as something problematic, something that, rather than upholding and restoring the polis, is threatening to engulf it in an unending pedal of destruction.
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