The British house music explosion

The success of the British dance medicinal drug picture, which still flourishes today, ass be contri aloneed to the coming to urinateher of new practice of medicine, the alien, trippy sounds of acid erect, and a new (at the time), euphoric love drug known as ecstasy (MDMA). Yet, in order to understand this immense ethnical explosion, one must examine its development within a historical and social context, and examine the re - percussions of this development on music and society.

As with most successful music jibes in Britain, the music was borrowed from the US then used, improved, and sold back to the US. dramatic art music was first and foremost music of Chicagos post - disco era. The ordination Music Box and its resident Dj Ron Hardy, were pivotal in pushing the stick outhold or warehouse sounds of Chicago. House music borrowed raw elements from disco. Using innocent production technologies, producers would re - edit existing disco tunes and summarise booming bass kicks.

By the mid 80s, Chicagos underground scene flourished, but no one foresaw the impact the music would have outside the city, least of all in Britain.

The British club scene was tame in comparison. Through the 80s, until the explosion of Acid House in 87, the music played in most clubs was a predominant mix of soul music in the trades union and old funk and reggae records in the South.



Occasionally hip - hop, electro and house records would be played, but these new sounds were largely dismissed. The uptight scene was more intimately dressing up and creation seen, about being cool, rather than dancing and enjoying oneself.

Although some house tunes were being imported from Chicago and being played in British clubs, the import market would not explode until acid house arrived. The North was the first to accept house music. The...

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