Sunday, 11 November 2012

Two "Nora" Characters Analyzed

The play is about Nora's liberation, for she is the " shuttle" to which the title of the play refers. Her environment is constructed for her to be the showpiece of her husband, scarce not a woman in her sustain right. Torvald has his own room that only he uses, but Nora doesn't have a room. She is kept in the main room "with china objects and divers(a) bric-a-brac" (Ibsen 234). This is because she is more a possession than a realized human being. By the last scene, Nora declares she tooshie no long- traveling live in this doll's house, and she dashes out into the city, into the night as the previous door slams behind her.

In Nora Quealey's story, we find that women in the modern-day mesh world are often as inhibit by male dominance as were women in Nora'


Victorian society. Nora is abused at work by the men who are very sexist toward the women.
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She is told to "act like a lady" by her father, despite the ungentlemanly activity of the men, or she will never "fit in" (Schroedel 5). The pressures and tensions of the job are so great, Nora sneaks into the bathroom so she can sit on the floor and fritter a duet of deep breaths..."just anything to get away" (Schroedel 6). Nora knows she is quite confine with respect to job advancement, and she worries constantly over her future since she is poor, uneducated, and often wracked with pain from the nature of her work. Her husband leaves her because he is jealous of her functional and socializing with other men. Nora becomes cross and grumpy mothering her children, something she used to take pleasure in experiencin
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